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绘画,正把人们散落、渗透在现实中的话语,真实地留痕在油画的图式中,有感性与理性的互动轨迹,有忧虑与祈望的思考过程,更有回归童真的稚气与天趣。读了金甲镇最近一批风景写生作品,我被他——反常态的表现力量所冲击,更被作品满溢童稚的本善所感动。中国传统绘画,山水一科最为高深,蕴含博大,范式丰厚,凸显东方人对自然的审美观,辐射出人性的自由开放精神,如
Painting, is to people scattered, infiltrated in the reality of the discourse, a real trace in the oil painting in the schema, the interaction between the emotional and rational trajectory, there are anxiety and hope pondering the process of thinking, more childlike innocence and return to childhood interest. After reading the latest batch of landscape sketches in Jinjia Town, I was struck by his performance power of anti-normality and touched by the innocent nature of my work. Chinese traditional painting, landscape one of the most profound, contains broad, paradigmatic rich, highlighting the oriental aesthetic of nature, radiant human spirit of freedom and openness, such as