我读过众多画家的自传,也见过许多画家文人墨客,陶义美与其他画家不同之处就是在商品、市场经济决定艺术效果的年代,其作品仍然保持着真情和艺术的专属地。对于中国传统绘画而言,那是一种抒写性的,无法重复。陶义美的画多为大画,而大画是难画的。一张有意境的大画是有形式语言的,形体、笔墨等都要形成一种状态,大画试图摆脱文人画纯粹的抒情性,它要有一种形式的塑造,有一种画面整体氛围的营造,在画面里有一种视觉冲击力,在形式语言里揉进 I have read many autobiographies of the painters and seen many painters and writers. The difference between Tao Yi-mei and other painters is that in the era when the commodity and the market economy decided the artistic effect, his works still maintain the exclusive position of truth and art. For Chinese traditional painting, it is a kind of writing, can not be repeated. Tao Yi-ming’s paintings are mostly large paintings, while large paintings are difficult to draw. A large painting with artistic conception is a formal language. Form, ink and brush should all form a state. Large paintings attempt to get rid of pure lyricism of literati painting. It has a form of shaping and a whole atmosphere of the painting , There is a visual impact in the picture, rubbing into the formal language