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文明从后现代艺术的此消彼长已经开始进入了一个新的尴尬时期——大师消失了。我们再也看不到亚里士多德、尼采或达·芬奇那样的人,甚至连格罗皮乌斯也离我们远去,可我们又没理由因此而怪罪自己亲手发明的新经济体制。值得当代中国人重视的是,市场经济的快速发展使人心浮躁,自身文化丢失以及对外来文化一知半解。但这对我们来说也是一个契机,我们开始反省自身的文化状态,重新发掘中国文明的内涵以及再次审视西方文化意识,我们和世界重新站在同一个起点,而目标就是重新建立一个可以出现大师的环境,而这个建造过程的核心环节也就是本文所要论述的重点——美术教育。
The shift of civilization from postmodern art has begun to embark on a new awkward period - the master vanishes. We can no longer see people like Aristotle, Nietzsche or Leonardo da Vinci. Even Gropius is far away from us, but we have no reason to blame for the new economic system we invented . It is worth paying attention to by contemporary Chinese people that the rapid development of market economy makes people impetuous, their own culture is lost and the foreign culture is poorly understood. But this is also an opportunity for us. As we begin to reflect on our own cultural conditions, rediscover the connotation of Chinese civilization and once again examine Western cultural awareness, we are back in the same starting point with the rest of the world, and the goal is to re-establish a master Environment, and the core of the construction process is also the focus of this article to discuss - art education.