电影从诞生伊始,其重要的功能之一就是记录特定时代人们的生活处境、生活状态以及思想方式。同时,电影也受到不同时期或政治或文化或经济等因素的影响并通过独特的影像方式加以呈现。新中国不同时期电影中的城市形象并非始终如一地被客观呈现,实际上,它们不断地被赋予各种寓意,被不断地重新定义。从权力符号到现实常态、从个性感悟到市场包装营销,城市影像不断华丽“变身”。文章对此进行了分析、阐释。 Since the birth of a movie, one of its important functions is to record people’s living conditions, living conditions and ways of thinking in a particular era. At the same time, films are also influenced by different periods or by political or cultural or economic factors and presented through unique images. The images of cities in movies of different periods in New China are not objectively and objectively presented. In fact, they are continuously being given various meanings and are constantly being redefined. From the power of symbols to the reality of the normal, from the individual perception of the market packaging and marketing, city image gorgeous “transfiguration ”. The article analyzes and explains this.