曹禺创作的具有自觉意识的知识女性形象,如蘩漪、陈白露、愫芳,都成为催人泪下、引人深思的艺术典型,具有一种特殊的、历久不衰的审美魅力,成为现代文学研究中不可回避的话题。本文试图从考察性别歧视和性别压迫的历史事实及其对女性人格的禁锢与扼杀入手,通过对以新民主主义革命为界限的传统女性和知识女性命运的 Cao Yu’s self-conscious and knowledgeable female images, such as Yiyi, Chen Bailu and Fangfang, have become tear-telling and thought-provoking art forms that have a special and long-lasting aesthetic charm that has become the focus of modern literature research Unavoidable topic. This article attempts to start from the historical facts of sex discrimination and gender oppression and its imprisonment and strangulation of the female personality, through the fate of the traditional women and intellectual women bounded by the new democratic revolution