清末,由于西学的传入,知识分子的群体意识逐渐增强,当时许多留学归国的西画家清醒地意识到,面对强大的传统势力,西画家显得势单力薄,合群结社,是争取自身社会位置与个人利益的必由之路。于是有了:民国时期的白鹅画会是上海新派画家联合成立的西洋画研究团体,大约于1923年秋成立于上海。由画家陈秋草、方雪鸪发起,成绩之佳,竟突破国内绘画界的固有纪录。但起步时也曾遭遇颠沛和颓丧的过程,陈 At the end of the Qing Dynasty, due to the introduction of Western learning, the awareness of group of the intellectuals gradually increased. At that time, many western painters returning from studying in the Mainland clearly realized that in the face of strong traditional forces, western painters appeared to be weak and united and sought for themselves The Only Way to Social Position and Personal Interests. Then there: The White Goose in the Republic of China was a Western painting research group co-founded by Shanghai New School painters, and was founded in Shanghai in the autumn of 1923. Initiated by painter Chen Qiucao and Fang Xuefan, the performance was excellent and actually broke through the inherent records of the domestic painting community. But at the beginning, she had also encountered the process of disillusionment and depression, Chen