比较中国新时期以来的电影作品与文学原著可以发现,其改编策略可归结为忠实原著、对话创新和疏离解构三个阶段,这说明中国电影在新时期的三十多年间逐渐摆脱了文学的限制和束缚而日益成熟独立。但这个过程是离不开文学所给予的大力支持的,二者之间是一种共生共长、相互促进的关系。 Comparing the original works of Chinese film and literature since the new period of China can be found out that its adaptation strategy can be attributed to three stages of faithfulness, dialogue innovation and alienation and deconstruction. This shows that in the new period of more than 30 years, Chinese films have gradually got rid of the limits of literature And bound and increasingly independent. However, this process can not be separated from the strong support given by literature, and the two are a symbiotic, mutually reinforcing relationship.