戏曲作为一门综合艺术,从来都要发挥其整体效果。川剧亦然,它有自己的声腔、表演诸多方面,它们的紧密结合,才使古老的艺术花红叶茂绵绵繁衍,得到人民的长期欢迎而保存了下来。但是,现在人们对于音乐方面的创造表现并不都很注重。在推陈出新传统剧目时,着眼于剧本文学、身段动作表演等的提炼创新较多,而对音乐的加工创造则不太考究。尤其在一些优秀传统剧目的搬演上,音乐往往因循守旧,象儿童背书那样,千篇一律,缺少新的解释。记得电视台多次播放的由首届“梅花奖”获得者晓艇主演的《逼侄赴科》这出戏,那绰约多姿的眉眼、身段动作 As a comprehensive art, opera has to exert its overall effect. Sichuan Opera also has its own voice, performing a number of aspects, their close combination, only the old art flowers bloom, get the people’s long-term welcome and saved. However, people do not always pay attention to the creative performance in music. In the introduction of new traditional repertory, focusing on the script literature, body movements such as the performance of more refined innovation, and music processing to create less elegant. Especially in the performance of some excellent traditional plays, music tends to be conservative and, like the endorsement of children, is stereotyped and lacks new explanations. I remember many times by the television broadcast by the first “Plum Blossom” winner Xiaobian starring “force niece to Branch,” this drama, that graceful facial features, body movements