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上世纪8 0年代中期,海姆·斯坦巴克(HaimSteinbach)和杰夫·昆斯(Jeff K00ns)的作品为英国的雕塑与装置艺术提供了一个新的拐点。这种拐点指向了杜尚派的一种在商业现成品中寻找艺术对象的传统。斯坦巴克的“购物雕塑”(shoppingsculptures)可以被视为这个拐点的一个例子。他在作品中使用那些出现在日常的消费与购物中的商品和品牌,并把它们大量地堆积起来。这种堆积的形式暗示了一种对于消费大
In the mid-1980s, works by Haim Steinbach and Jeff K00ns provided a new turning point for British sculpture and installation art. This inflection point points to a Duchamp’s tradition of looking for art objects in commercial ready-mades. Steinbach’s “shoppingsculptures” can be considered as an example of this inflection point. He uses the products and brands that appear in his daily consumption and shopping in his work and piles up them in large quantities. This form of accumulation implies a great deal for consumption