透过贞节牌坊的文化反思——浅谈影片《贞女》的内涵与形式

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一个阴冷的早晨,雾气弥漫的爱鹅滩,节妇街上耸立着十五座贞节牌坊。一群女子、老妪簇拥着披麻戴孝的青玉徐徐走过,一路烧香跪拜。她跪在一具风化剥蚀的男童骷髅石雕面前,根据祖上传下的遗规,十八岁的寡妇青玉,从此便要为这骷髅终身守节……。一个闷热的夜晚,夜幕笼罩下的“夜来香”酒店,隐约可见一座历史遗留下来的贞节牌坊,夜深人静时,传来女店主桂花的哭声,她正承受着丈夫吴老大的毒打和屈辱的贞操检查……。黄建中新近导演的影片《贞女》就这样展开了发生在同一地方(爱鹅滩),前后相距七、八十年(清末和现代)的两个妇女的故事。表现了一个压死在封建贞节观念巨石下的青玉和一个最初在节烈贞操观念下只好屈服,但最终还是冲破习惯势力的蕃篱、勇敢地找到了自身幸福的桂花。这是“两个互不相关却交错渗透着某种共通的历史纵深意识的故事”(古华语)在历史和现实的扭结中,表明尽管在新旧两个不同时代里,社会制度发生了根本的变化,但潜藏在人们心理结构中的历史文化观念却仍是根深蒂固的。影片由此揭示出封建道德伦理观念对人本性的最深重的残害。 A cold morning, the misty love geese beach, the woman on the street stands fifteen chastity arch. A group of women, the old woman surrounded by plutonium wearing sapphirine Xu slowly, all the way to bow down worship. She knelt in front of a weathered and eroded boy skull stone carving, according to the legacy of her ancestors, the eighteen-year-old widow sapphire, from then on she has to keep the skeleton for this skeleton. A sultry night, under the shadow of the night, “night to Hong” Hotel, vaguely visible a historical arch of chastity, the dead of night, came the sweet-scented osmanthus cry of the woman owner, she was bear the poison and humiliation chastity husband Wu boss an examination……. In this way, the film “Virgo” directed by Huang Jianzhong recently started the story of two women who took place in the same place (geese and geese) and were separated by seven or eight decades (late Qing and modern times). Showing a samaritan under the feudal concept of bounty and a sweet-scented osmanthus flower that courageously found its own happiness under the concept of chastity and virginity, which had to succumb under the concept of chastity and chastity. This is a “kinship of two unrelated but staggered with some kind of common sense of historical depth” (ancient Chinese) in the kink between history and reality, indicating that although in both old and new times, the fundamental social system However, the historical and cultural concepts hidden in people’s psychological structure are still deeply rooted. The film thus reveals the concept of feudal ethics of the human nature of the most serious mutilation.
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