巴赫金不仅是俄苏符号学大师,还是世界级思想巨匠。[1](130)巴赫金的理论既已跨越了国界与时代,[1](130)便具有世界性与永恒性。其博大精深的符号学思想无论如何言说,都会让人意犹未尽。本期刊出三篇文章,前两篇将巴赫金符号学思想置于全球符号学背景之中,分别与索绪尔符号学和西方马克思主义符号学进行比较;第三篇则基于巴赫金的狂欢理论对日本动 Bakhtin is not only a master of Russian-Soviet semiotics, but also a master of world-class ideas. [1] (130) Bakhtin’s theory has crossed both borders and times, and [1] (130) has universal and eternity. In any case, its profound semiotic thinking will make people unconfirmed. This issue contains three articles. The first two articles place Bakhtin’s semiotics in the context of global semiotics, compared with Saussure’s semiotics and Western Marxist semiotics. The third is based on Bakhtin’s carnival Theory of Japan move