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中国作家本土文化身份的焦虑与自我认同,为新世纪长篇小说创作带来了转型契机。新世纪中国长篇小说创作不再单纯依赖西方资源,而是向传统深层复归,从本土资源和中国经验中获取文学创新的生长点,以崭新的叙事能力和文体形式标示着新世纪文学的动向与特质,并逐渐形成了一股新鲜的创作潜流。这种“本土化”趋向,在一个新起点上为全球化背景下中国文学自主性与独创性的生长以及中国文学走向世界重启了一扇窗。
The anxiety and self-identity of Chinese writers’ native culture identity have brought a turning point for the creation of novels in the new century. Instead of relying solely on Western resources in the new century, the creation of Chinese novels is a return to the tradition of deep redevelopment, gaining a place for growth of literary innovations from local resources and Chinese experience, marking the trend of new-century literature with new narrative abilities and stylistic forms Traits, and gradually formed a fresh creative potential. This “localization” trend has restarted a window from a new starting point for the growth of autonomy and originality of Chinese literature in the context of globalization, as well as the arrival of Chinese literature in the world.