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古希腊的音乐论的核心是基于毕达哥拉斯学派数比例的和谐。毕派来说数是支配世界的原理,万物存在的根据。作为数的应用,毕达格拉斯观察一弦琴的琴弦比例发现了音的高低关系,从中奠定了西方音乐体系的基础。他从自然音响现象中发现了数学比例原理表象音乐艺术的秩序,这种秩序在宇宙中体现为音乐的和谐,人类的和谐,这种美学观点通过中世纪西方音乐史上起到了巨大的影响。
The heart of ancient Greek music theory is based on the proportional harmony of the Pythagoreans. Bi sent to say that the number is the principle governing the world, the basis of existence of all things. As a numerical application, Pythagorasian observes the chord percentage of the strings and finds the relationship between the levels of the tones, laying the groundwork for a western musical system. He found the order of mathematical proportion principle appearance music art from the phenomenon of natural sound. This kind of order reflected in the universe as the harmony of music and the harmony of mankind, this kind of aesthetics has played a huge influence in the history of medieval western music.