“悲秋”是我国古典文学中一个恒长久远的主题,有着较为可观的作者和作品数量。我国古代意境论中所提出的“思与境偕”、西方格式塔心理美学的“异质同构”理论,对情与景、心与物的关系都有深入的研究,对形成悲秋文学传统的原因均能进行合理的解说。在此基础上,以不同视角分析悲秋文学的心理蕴含。 “Sad Autumn” is a long-lasting theme in Chinese classical literature, with a considerable number of authors and works. The theory of “heterogeneity and isomorphism” put forward in the ancient Chinese artistic conceptions of “thinking and the environment” and the Western style tower psycho-aesthetics have profound research on the relationship between love and the scenery, the mind and the things, The reasons for forming the tragic autumn literature tradition can all be explained reasonably. On this basis, I analyze the psychological implication of the literature of Sad Autumn in a different perspective.