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20世纪 80年代是中国文学继五四以后的又一个繁荣期。 2 0世纪 90年代以来 ,中国当代文学发生了变化。山西作家柯云路虽然选择的是文学与中国传统巫觋文化的契合点 ,其本质却仍是反叛社会、重铸信仰的行为。他所推出的一系列所谓神秘现象、精神现象考察、破译类书籍 ,除却有其纯商业目的外 ,实际还为有神论的复活开了先导。或者说 ,他的另一含义正是为了恢复有神论的合理地位。柯云路现象的生成 ,正是商业利益与信仰权力合成的产物 ,其实质是中国鬼神文化的现代翻版。这种貌似新奇实则陈腐的东西 ,理应接受现代科学与健康信仰法则的拷问 ,同时 ,当代理性也应为防止这种社会逆反潮流的出现敲响警钟。
The 1980s was another period of prosperity for Chinese literature after the May Fourth Movement. Since the 1990s, Chinese contemporary literature has undergone changes. Ke Yunlun, a writer in Shanxi Province, though choosing the link between literature and traditional Chinese witchcraft culture, is still rebellious and recalcitrant. His series of so-called mysterious phenomena, spiritual phenomena and deciphering books have in fact opened the avenge for the revival of theism, except for purely commercial purposes. Or, another meaning of him is precisely to restore the theological legitimacy. The formation of Ke Yunlu’s phenomenon is exactly the result of the synthesis of commercial interests and belief power. Its essence is the modern version of the Chinese ghost and god culture. This kind of seemingly novel, but in fact, obsolete things should be subjected to the torture of the laws of modern science and healthy beliefs. At the same time, contemporary rationality should also sounded the alarm to prevent the emergence of this social reverse trend.