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本文从心理学和元叙述的层面对贝克特小说三部曲之二《马洛纳之死》进行了剖析和解读 ,并通过小说以及小说内文本之间的互文关系来阐释文本的意义 ,探讨作者与文本、写作与意义、叙述者与人物的关系 ,以揭示贝克特对作者存在问题的思考以及他的小说创作理念。贝克特不仅通过这部小说描写了一个作者的死亡 ,而且也向我们展示了一场精彩的写作游戏以及游戏中贯穿始终的张力 ,从而隐喻了作者权威的逐渐消失 ,宣告了“作者的死亡” ,同时更深入彻底地实践了他所追求的“‘自我’在创作过程中彻底消解”的创作原则。
This article analyzes and interprets “The Death of Malinois”, the second trilogy of Becket ’s novels from the perspective of psychology and meta - narration, interprets the meaning of the text through the intertextual relationship between novels and texts in the novel, Explores the relationship between author and text, writing and meaning, narrator and person in order to reveal Beckett’s thinking on the existence of the author and his concept of novel writing. Beckett not only used this novel to describe the death of one author, but also showed us a wonderful writing game and consistent tension in the game, thus metaphoring the gradual disappearance of authoritative authority and proclaiming “author’s death” At the same time, he deeply and thoroughly practiced the creative principle that he pursued “self” completely digested in the creative process.