京剧是综合性舞台艺术,随着京剧艺术的发展和创新,特别是新编历史剧和现代戏的发展,在舞台用光的设计上已经十分讲究,在传统用光的基础上大量吸收了话剧、歌舞以及影视的灯光设计,使得今天的京剧舞台用光在烘托舞台气氛、塑造人物等方面取得了可喜的成绩。然而,有些年轻的同志对新编历史剧,特别是现代戏用光方面努力钻研、刻意求新,但对京剧传统戏的用光往往表现得十分冷漠,好像传统戏的用光没有什么可研究和探讨的,从而忽略了传统戏在用光方面 Beijing Opera is a comprehensive stage art. With the development and innovation of the art of Peking Opera, especially the development of new historical plays and modern plays, Peking Opera has been very much involved in the design of stage lighting. Based on the traditional use of light, it has absorbed a great deal of drama, As well as film and television lighting design, making today’s Beijing Opera stage light in the stage atmosphere, modeling, etc. made gratifying achievements. However, some young comrades made painstaking efforts to study newly created historical plays, especially modern plays, but they often show indifference towards the traditional opera of the Beijing Opera. It seems that there is little research and discussion on the use of traditional plays , Thus ignoring the traditional drama in the light