中日文化交流日久,典籍流布为直接载体,经史子集,概莫能外。而此间,戏曲文献则愈加专门。众多典籍跨洋渡海之后,便杳然不知所踪。中国学界或有此种疑问,个中典籍多乎哉?黄仕忠教授大作《日藏中国戏曲文献综录》(以下简称《综录》)的问世,或许可以作为当代学人对于这个疑问的解答。该书由广西师范大学 Sino-Japanese cultural exchanges for a long time, the distribution of books as a direct carrier, the history of sub-sets, no exception. In the meantime, the opera literature is more specialized. Many classics cross the ocean after crossing the sea, they suddenly disappeared. Perhaps there is such a doubt in the Chinese academic circles that the classics are almost akin to one another. The advent of Prof. Huang Shizhong’s masterpiece “Comprehensive Catalog of Japanese and Tibetan Traditional Chinese Opera” (hereinafter referred to as “Synopsis”) may serve as a solution to this question by contemporary scholars. The book by the Guangxi Normal University