宋人笔记是一种口语化极强的文本,透过它可以看到,“打”字,不仅在宋代已经具有万能化倾向,其本身的字音问题也引起了当时文人的注意。欧阳修就这两方面都提出了自己的看法:……触事皆谓之“打”。而徧检字书,了无此字。丁雅反者其义主“考击”之“打”自音谪疑当作滴耿,以字学言之,“打”字从手、从丁,丁又击物之声,故音“谪耿”为是。不知因何转为“丁雅”也?((欧阳修《归田录》卷二) The Song Notes is a highly colloquial text, through which we can see that the word “打” has not only tendencies of universalization in the Song Dynasty, but also caused the scholar's attention at that time. Ouyang Xiu put forward his own views on these two aspects: ...... touch things are called “fight ”. And over the word book, no such words. Ding Ya anti-its righteous Lord “test ” “fight ” self-suspicious as Duan Geng, word to words, “fight ” from the hand, from Ding, Ding hit the object Voice, so tone “Geng ” as is. I do not know why it turned “Ding Ya ” also? ((Ouyang Xiu “Return to Field Records” Volume II)