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本文对“数字人文”的定义、来源和覆盖领域进行了探讨,并对数字人文内部以及数字人文与传统人文学科之间的紧张关系进行了说明。前者主要基于不同的学者看待数字技术的不同态度,是一种新版的理论-实践分裂的讨论,后者则基于传统研究和数字人文研究的不同路径,是一种单一学科和跨学科之间的分歧。这种创造性的张力也为人文研究提供了新的学术和交流模式,呈现出一种“复数”的状态。
This article explores the definition, source and coverage of Digital Humanities, and describes the tensions within digital humanities and between digital humanities and traditional humanities. The former is mainly based on different scholars’ different attitudes toward digital technologies. It is a new version of the theory-the discussion of practical division. The latter is based on the different approaches of traditional research and digital humanities research. It is a kind of interdisciplinary and interdisciplinary Disagreement. This creative tension also provides a new mode of academic and communication for the study of humanities and presents a state of “plural”.