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由于伊拉克战争和第75届奥斯卡《钢琴家》意外获胜的缘故,我不自觉地将兴趣重新投入到有关二战“犹太人”命运的电影中,刚刚看到与重新看到的五部电影分别从音乐家、神职人员、抵抗者、儿童、拯救者的角度抵达到那场灾难中去。而就在这一时刻,SARS 这一场灾难,也正在中华大地疯狂地蔓延。相比于几百万的人的生命,SARS 所带来的伤痛,远没有战争那么惨绝人寰。看看犹太人所遭受的痛苦,我们也许会明白,我们一定会战胜灾难,继续上路。对于多数观影者而言,说到这一题材的电影,没有人会回避斯皮尔伯格的《辛德勒名单》。当年,在大学里看完这场电影时,我也一样无法压抑自己的激动。但在看完《钢琴家》之后,又重新面对三小时的《辛德勒名单》时,我又发现,在斯皮尔伯格身上掩藏着太多的机巧与矫情。对于犹太人当时的命运而言,他只是一个猜想者,是一个命运的复制者,而不是参与者和感受者。
As a result of the Iraq war and the 75th Oscars’ pianist accidental victory, I unconsciously reintroduced my interest into the movie about the fate of World War II “Jews” From the perspective of musicians, clergy, resistance, children, and savior, arrive in that disaster. At this juncture, the disaster of SARS is spreading wildly in China. Compared with the lives of millions of people, the pain caused by SARS is far less tragic than war. Looking at the suffering of the Jews, we may understand that we will certainly overcome the disaster and continue on the path. For the majority of viewers, no one will evade Spielberg’s Schindler’s list of movies on this subject. The same year, watching this movie in college, I also can not suppress their excitement. However, after looking at the pianist and again facing the three-hour “Schindler’s List,” I found out that there was too much ingenuity and hypocritical hiding in Spielberg. For the Jewish fate at that time, he was only a conjecture, a replicator of fate, not a participant and a sensible.