论文部分内容阅读
本文探寻了1930年代发生的“左翼电影文化运动”的主客观因素,认为“左翼电影文化运动”首先是民族危机和社会危机当头的必然事件;其次是中国共产党谋求文化领导权的政治需要;再次是左翼知识分子实现社会革命理想的艺术实践。因此,本文认为尽管“左翼电影文化运动”有一些过激偏向,但即使是“去意识形态化”批评也无法否认“左翼电影文化运动”的历史合理性。这对于政治与艺术关系的认识,对中国电影文化现状的思考都是有重要参考意义的。
This paper explores the subjective and objective factors of the “left-wing film culture movement” that took place in the 1930s. It is believed that “the left-wing film culture movement” is firstly an inevitable event that the national crisis and the social crisis take the lead. Secondly, the Chinese Communist Party seeks cultural leadership Political needs. Again, it is the artistic practice of left-wing intellectuals to realize the ideal of social revolution. Therefore, this paper argues that even though there is some over-emphasis on the left-wing film culture movement, even the critique of “ideology” can not deny the historical rationality of “left-wing film culture movement.” This is an important reference to the understanding of the relationship between politics and art and the reflection on the current situation of Chinese film culture.