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西安市戏剧研究所与上海戏剧学院《戏剧艺术》编辑部,联合召开的“当代戏剧观念变化动态把握学术讨论会”于9月17日至9月22日在西安举行。这次会议是在戏剧发展面临新的形势和对戏剧观念问题的讨论日趋热烈的背景下进行的。如何对当代戏剧观念变化作动态把握,是这次讨论会的中心议题。不少同志在发言中指出:戏剧本身是不断发展、不断变化的,戏剧观念也是一个不断发展、变化的流动过程。如果戏剧艺术家对生活的认识和观念不改变,戏剧观念也不会改变。在这一点上,戏剧不如文学。有的同志指出,应该正确地理解传统。戏剧传统是一个丰富的、广泛的、发展的概念,应理解为一种精神,
Xi’an Theater Research Institute and the Shanghai Theater Academy, “Theater Arts” editorial department, jointly held the “dynamic grasp of the contemporary concept of dramatic academic seminars” held in September 17 to September 22 in Xi’an. The conference was conducted under the background of dramatic discussions on the new situation of theater development and the issue of the concept of drama. How to grasp the dynamic changes of contemporary dramatic ideas is the central topic of this seminar. In my speech, many comrades pointed out: The drama itself is constantly evolving and constantly changing, and the concept of drama is also a continuously developing and changing mobile process. If the drama artists do not change their understanding of life and concept, the concept of drama will not change. At this point drama is not as good as literature. Some comrades pointed out that tradition should be correctly understood. Drama tradition is a rich, broad and developing concept that should be understood as a spirit,