前几年我抓过几个大题材,厂里也认可,但没有钱,投产不了,弄得很苦恼。最后总算幸运,去年拍了《情洒浦江》。片子上头给了钱,我打心眼里感谢,不然,这部片子是拍不成的。但这钱也来之不易。我希望通过舆论界呼吁一下,解决一下对重大题材的共识问题。有人说,造一座桥算什么重大现实题材?也有人认为通过一个工人、一个家庭来写大桥算不上重大题材。那《我的九月》角度够小的了,你能说它不重大?当时要求我们正面写大桥,正面写也有很多难处。正面写作为一个口号倡导一下是可以,但艺术创作还有个从什么角度开掘的问题,可以从小的角度开掘重大的题材。《我的九月》的成功经验,更坚定了我们从一个家庭写大桥的决心。 A few years ago I grabbed a few big themes, the factory also recognized, but no money, put into operation, confused very distressed. Finally finally lucky, last year shot “love sprinkle Pujiang.” The film gave money on top, I hit my heart to thank, otherwise, this film is not patted. But this money is hard won. I hope to appeal through the media to solve the consensus on major topics. Some people say that what makes a bridge a major reality? Some people think that through a worker, a family to write a bridge is not a major theme. That “my September” point of view is small enough, can you say it is not significant? We were asked to write a positive bridge at the time, there are many positive aspects of writing. Positive writing as a slogan to promote what is possible, but art creation there is a dig from what point of view, you can dig a major theme from a small angle. The successful experience of “My September” has strengthened our determination to write a bridge from one family.