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金秋时节,在亚运会前夕,北京举办了一次国际喜剧、幽默节目汇映,连续播放了二十几个节目,其中电视剧(包括小品和集锦)十四个,影片十部,这是我国影视史上一件盛事。虽然参加的国家和地区只有十七个,但却是当今世界喜剧创作的一个小小的窗口,它可以使人们在一定程度上感受到当代国际喜剧创作的走向和特色。多少年来,喜剧创作题材多是从日常生活着眼,或贬或褒,来发挥喜剧这种形式的艺术效能。早在第二次世界大战初期,风云一时的喜剧演员卓别林就从喜剧创作那种暗喻手法转而从正面抨击希特勒和法西斯主义,拍摄了迄今累演不衰的讽刺喜剧
In autumn, on the eve of the Asian Games, Beijing hosted an international comedy and humorous show, and successively broadcast over 20 shows, including 14 television dramas (including shorts and highlights) and 10 films, which is the history of China’s film and television A big event Although there are only 17 participating countries and regions, it is a small window of comic creation in today’s world. It can make people feel the trend and characteristics of contemporary international comic creation to a certain extent. Over the years, most comedies have focused on daily life or banished or praised them to exert the artistic effect of this form of comedy. As early as the early World War II, comedian Charlie Chaplin turned from a metaphorical metaphor for comedy writing to criticizing Hitler and Fascism positively and filmed the so-called fabled comedy hitherto