《责任》是罗迪.多伊尔“巴利镇三部曲”的第一部作品,它以都柏林北部巴利镇上一群年青人组建乐队的经历为叙事内容,生动描绘了乐队的排练和演出过程。通过挖掘小说中音乐元素的文化内涵,本文试图考察多伊尔对爱尔兰身份问题的深度思考。他似乎希望摆脱那种只把爱尔兰视为英国“他者”的程式化思维模式,进而更好地从经济全球化带给爱尔兰的影响来进一步审视本民族文化生产与身份建构的关系,以及文化生产者应有的责任问题。 “Responsibility” is the first work by Roddy Doyle, “The Ballet Town Trilogy”, which takes the experience of a group of young people in the town of Barre in northern Dublin as a narrative component, vividly depicts the band’s rehearsal and Performance process. By exploring the cultural connotation of musical elements in novels, this article attempts to examine Doyle’s thinking on the issue of Irish identity. He seems to want to get rid of the stylized thinking mode that sees Ireland as the “other” of the British, so as to further examine the relationship between the cultural production of this country and identity construction and the culture from the influence brought by the economic globalization to Ireland Producers should have the responsibility.