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列维-斯特劳斯在通过田野调查获取的大量人类学资料的基础上,对神话、亲属关系、原始图腾、面部彩绘等人类文化形式和现象进行了深入的结构美学分析,挖掘出了这些文化形式背后隐藏着的人类最原始的审美意识,指出感性思维是他们基本的认知方式;依据这种思维方式,原始人类建立起了严密的图腾分类体系。同时,他认为原始图腾不过是一种审美幻象,图腾观念的基础在图腾与心灵的联系之中;而在对少数族裔的面部彩绘的分析中,斯特劳斯进一步深化了他的审美人类学方法,提出艺术是一种位于神话与科学之间的文化形式这一独特观点。
On the basis of a large amount of anthropological data obtained through field investigations, Levi-Strauss conducted an in-depth structural aesthetics analysis of human cultural forms and phenomena such as mythology, kinship, primitive totem, facial painting, etc., and unearthed these The most primitive aesthetic consciousness of human beings hidden behind the cultural forms points out that sensual thinking is their basic cognitive mode. Based on this way of thinking, primitive human beings have established a strict totem classification system. At the same time, he believes that primitive totem is only an aesthetic illusion, and the concept of totem is based on the connection between totem and soul. In the analysis of facial painting of ethnic minorities, Strauss further deepens his aesthetic humanity Learning method, proposed that art is a unique view of the cultural form between mythology and science.