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最近,老画家关曼青正忙于集结出版自己的国画专集。作为在绘画艺术上艰苦探索了近半个世纪的关曼青,能把自己多年的心血集于一册,这不仅是她自己的一件乐事,也是我省美术界的喜讯。近年来,我特别注意关曼青的人物画。她的人物画在保留国画写法优秀传统的基本上,运用自己所掌握的西洋画表现立体感及光暗的技法进行创作,往往人物的眼神、手势、典型的细节和外貌的基本特征等都能被画家抓住,并比较概括地传神写照,使纸上的人物形像栩栩如生,似现眼前。在创作内容上,她选择了历史上最有风骨的炎黄子孙作为素材,塑造了众多的艺术形象。我爱读曼青的人物画,每每伫立于某人物画前,我无法不产生崇敬的心情。
Recently, the old painter Guan Manqing is busy assembling and publishing his own national painting album. As a man who has painstakingly explored the art of painting for nearly half a century, it is not only her own pleasure but also the good news of the fine arts community in our province that she can concentrate her years of hard work. In recent years, I pay special attention to Guan Manqing’s portrait painting. Her character painting, in keeping with the excellent tradition of traditional Chinese painting and calligraphy, basically uses her Western painting to express three-dimensional and light and dark techniques. The character’s eyes, gestures, typical details and the basic features of appearance are all Grabbed by the artist, and more vividly portrayed so that the characters on the paper lifelike, like now. In the creative content, she chose the history of the most glamorous offspring as the material, creating a large number of artistic images. I love to read Manqing’s portrait paintings, often standing in front of a figure, I can not do without a feeling of reverence.