“创造美学”是蒋孔阳先生建构的美学思想体系和美学学派．蒋孔阳美学体系所以卓然自成一家，就在于它的对于美与实践、美与创造、美与艺术和人与现实的审美关系的独到的阐述和极具建树的概括，及其包容性、创造性、开放性的特点．蒋孔阳创造性地把“实践美学”推进、发展、延伸到“创造美学”，拓展、丰富了“创造”概念在美学中的内涵，是对于中国当代美学研究的历史进程、研究现状、未来发展的思考性总结，也是对于中国当代美学的卓越贡献． “Aesthetics of Creation” is a system of aesthetic thoughts and aesthetics set up by Mr. Jiang Kongyang. Therefore, Zoran’s aesthetic system consists of a unique description and a very summary of its aesthetic relations with beauty, practice, beauty and creativity, beauty and art, and man and reality, and its inclusiveness, creativity and openness specialty. Jiang Kongyang creatively pushed forward and developed “Practical Aesthetics” to “create aesthetics”, expanded and enriched the connotation of “creation” in aesthetics, which is a reflection of the historical process, research status and future development of contemporary Chinese aesthetics research Sexual summaries are also remarkable contributions to contemporary Chinese aesthetics.