论文部分内容阅读
豫剧“二度梅”获得者王红丽十七岁登台献艺,从艺至今已经三十余载。她主演的《秦雪梅》、《风雨行宫》和《铡刀下的红梅》分别产生于20世纪80年代、90年代和21世纪初。尽管剧中的三个女性形象都带有悲剧性,但是,她们在艺术个性、戏剧意义和审美效果上各异其趣,反映了戏曲在不同历史时期的创作特点。秦雪梅:传统道德意义上的悲剧女性20世纪80年代,随着社会环境的稳定和一系列正确的戏曲政策的实施,以才子佳人为题材的整理改编
Henan Opera “second plum ” winner Wang Hongli 17-year-old stage performance, art has been more than thirty years. She starred in “Qin Xuemei,” “Stormy Palace,” and “Hongmei under Trowel” were produced in the 1980s, 1990s and early 2000s respectively. Although all the three female characters in the play are tragic, they all play different roles in their artistic personality, drama meaning and aesthetic effect, reflecting the creative features of the opera in different historical periods. Qin Xuemei: Tragedy Female in the Traditional Morality In the 1980s, with the social stability and the implementation of a series of correct opera policies,