5月19日,在绵绵细雨的暮色之中,飞机渐渐远去。西德汉堡塔里亚剧院的著名导演弗利姆先生怀着眷恋之情离开了北京,离开了那些刚刚相识却又分别了的中国的演员。弗利姆这次是来北京人艺导演德国作家毕希纳的《沃伊采克》。然而在他的日程表上,在北京只能耽搁七天。演员一听都暗暗着急,一个星期能排出个什么名堂来? 进了排演场演员都“愣”了,只见场上空空如也,既无道具也没布景。第一天排戏,弗利姆只是一味强调动作要慢。演员慢下来了,可他仍一再要求慢些,再慢些,却又不解释为什么要这么慢。这是什么排戏方法?众人如坠 May 19, in the twilight of the drizzle, the plane faded away. FELMUM, the famous director of the Taria Theater in West Germany, left Beijing with his attachment and left the Chinese actors who had just met but separated from each other. This time, Flimim is Voloy Zac, a German writer who works as a director of Beijing Art Festival. However, on his schedule, Beijing can only afford to delay seven days. Actors are secretly anxiously anxious, a week to discharge what a name? Into the performers rehearsal are “stunned”, I saw the field empty, neither props nor scenery. The first day of a row, Flims simply stressed that action should be slow. The actor slowed down, but he still asked again and again slower, and then slower, but did not explain why so slow. What is this dramas method?