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现代学科对透视绘图方法的工具性强调,忽视了图作为体验范式的作用。通过对透视空间意识与其他空间意识的对比分析,剖析出透视空间意识的主要特征是空间与时间的概念两分,时间成为附属品;透视是一种单一的、机械的、静止的空间意识。由东方传统绘画运动空间的体验多样性,引发对于摒弃主客体交互的透视空间意识的反思。从而指出设计教学中,应当重新审视设计绘图与设计的关系,在设计绘图与体验之间建构起连接的桥梁,避免设计绘图继续陷入肤浅模范的境地。
The modern discipline emphasizes on the instrumentalities of the perspective drawing method and neglects the role of the figure as the experience paradigm. By analyzing the perspective space consciousness and other space consciousness, the paper analyzes that the main characteristics of perspective space consciousness are two concepts of space and time, and time becomes an accessory; perspective is a kind of single, mechanical and static space consciousness. The diversity of experiences in the moving space of the traditional oriental painting sparks the reflection on the spatial awareness of abandonment of the interaction between subject and object. It points out that in the design of teaching, the relationship between design drawing and design should be revisited, and the connection between design drawing and experience should be constructed so as to avoid designing drawing continuing to fall into the superficial and exemplary.