当一家杂志的记者请《无情的情人》导演陈国军回答该片的主题是什么时,陈是这样回答的:“我想,这部影片的主题应该是多义的,我希望能给观众留下更多的思考”。读罢这段文字,不禁有点新的疑问。 勿庸置疑,艺术作品如果直来直去,一碗白开水,一点回味的余地也没有,那就谈不上艺术感染力。但是,有些编导一味让观众去思考,却不知观众很难思考得出来;不是观众思维能力差,而是影片主题杂揉, When a magazine reporter asked Chen Guowu, the director of “Relentless Lovers,” to answer the theme of the film, Chen replied: “I think the theme of this film should be polysemy, and I hope it will be left to the audience More thinking ”. After reading this passage, can not help but a little new question. Undoubtedly, if works of art go straight, a bowl of boiled water, there is no room for aftertaste, it can not talk about artistic appeal. However, some editors blindly let the audience to think, but I do not know the audience is difficult to think of it; not the poor ability of the audience thinking, but the theme of the film mixed,