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一、中国画的创新与笔墨问题之争1962年《美术》杂志第4期刊登了一篇署名为孟兰亭(化名)的来信,这封信实际上是由美协机关刊物《美术》杂志社精心策划的,目的在通过对石鲁作品的批评,挑起论争,进而支持中国画的革新探索。孟文认为,《美术》杂志社发表了不少国画作品,然而却没有真正重视中国画的传统。在孟看来,我国绘画传统的精英,要在笔墨。“泰山之雄,峨眉之秀,其所以不及图画之耐读者,无笔墨也。中国绘画
First, the Chinese painting innovation and pen and ink controversy 1962 ”Fine Arts“ magazine No. 4 published a letter signed by Meng Lanting (a pseudonym), the letter is actually the United States agency publication ”Fine Arts“ magazine carefully The purpose of the planning is to provoke controversy through the criticism of Shi Lu’s works, and then to support the innovation and exploration of Chinese painting. Meng Wen believes that ”fine arts“ magazine published a number of Chinese painting works, but did not really pay attention to the traditional Chinese painting. In Bangladesh’s opinion, the traditional elite of our country should be in the pen and ink. ”Taishan of the male, Emei’s show, it is less than the picture of the reader, no ink also. Chinese painting