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话剧创作的根本任务在于写入,通过对人物的审美创造揭示人类的生存际遇和命运。但是,在话剧创作中,写了人物,并不等于创造了具有审美价值的艺术形象。反思中国话剧创作的传统与现状,可以发现,中国话剧创作的最根本问题就在于戏剧人物审美创造的缺失和贫弱。戏剧人物的审美创造离不开剧作家的主体意识和情感指向,而这又受到一定的社会环境和时代精神的制约与影响。当今时代,为戏剧清除痼疾、揭开新的篇章提供了可能性。
The basic task of drama writing is to write, through the aesthetic creation of the characters reveal the human existence and destiny. However, in drama creation, writing a character does not mean creating an artistic image of aesthetic value. To reflect on the tradition and current situation of Chinese drama creation, we can find out that the most fundamental problem of Chinese drama creation lies in the lack and weakness of aesthetic creation of dramatic characters. The aesthetic creation of the dramatis personae can not be separated from the main body consciousness and emotional point of the playwright, which is restricted and influenced by certain social environment and the spirit of the times. In today’s era, the possibility of removing chronic illness for theater and opening new chapters is provided.