当今研究绘画时,探讨“画什么”这个问题是很背时的。流而行之的说法是“画什么并不重要,重要的足怎么画”。而且,在一些人看来,似乎越是漠视、消解“画什么”,在艺术上就越成熟、越进步、越现代。那么,在绘画领域中,“画什么”真的就那样无足轻重,不足挂齿?本文不惮保守背时之讥,要为“画什么”张张目。 人们在强调“怎么画”的重要性时,主要理由之一是“怎么画”最能张扬艺术家的个性,最能体现画家的独特风格。的确,绘画是一个自由的天地,以自己的独特的方式营造形与色的世界是画家们的权力,他们如万能上帝似的涂抹着他们个人 When studying painting today, it is quite daunting to explore the issue of “painting what”. The flow of the saying is “painting is not important, how to draw important foot.” And, in the opinion of some, the more indifferent it seems to be, the more artistic, the more progressive and the more modern it is. So, in the field of painting, “painting what” is really so insignificant, not worth mentioning? This article dare not conservative ridicule, want to “draw what” Zhang Zhang eyes. When people emphasize the importance of “how to draw”, one of the main reasons is that “how to draw” can best publicize the personality of the artist and can best reflect the unique style of the artist. It is true that painting is a free world, and that it is the power of painters to create a world of shapes and colors in their own unique way, smearing them as God Almighty