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《金瓶梅》中塑造了不少给人印象深刻的妾妇形象,其中孟玉楼时时参与妻妾嫉妒争宠,又时时不忘置身事外,得到了较圆满的结局。本文认为这与她高超的处事艺术密切相关。
The “Golden Lotus” created many impressive images of concubines, in which Meng Yulou always engages in the jealousy of wives and concubines, and from time to time he kept himself out of things and achieved a more satisfactory conclusion. This article argues that this is closely related to her superb art of doing things.