杨斌(以下简称杨):在消费文化时代,当资本成为操纵符号意义的巨大力量时,艺术“大师”的出现和艺术价值的实现就与资本介入的决心和程度有很大关系,这就自然涉及到艺术传统所形成的艺术评价标准和资本意志之间的对决。在一个一切都可以被价格化的时代里,过于迷信“好货不便宜,便宜没好货”的人们便往往会用价格来衡量作品的价值。那么,价格反而会成为资本操纵价值最直接的手段,资本就可以 Yang Bin: In the era of consumer culture, when capital becomes a tremendous force in manipulating symbolic meanings, the emergence of artistic masters and the realization of artistic value have much to do with the determination and extent of capital involvement, which It naturally involves the duel between the art evaluation criteria formed by the art tradition and the capital will. In an age where everything can be priced, people who are too superstitious, “good goods are not cheap, and cheap are not good,” tend to use prices to measure the value of the work. Then, the price will become the most direct means of capital manipulation value, capital can be