肇始于20世纪70年代末思想解放运动中的中国当代艺术,一向以惊世骇俗作为吸引世人眼球的表达策略,而对暴力血腥题材的展现,则是中国当代艺术中最为极端和最具争议的现象之一显然,当代艺术中的这种极端现象作为一种艺术表达方式,确实有“在自身游戏方式的陶醉中脱离生活现实”的赚疑,但其作为一种亚文化现象,并不像一些 Chinese contemporary art, which originated in the ideological liberation movement in the late 1970s, has always used the horror as an expression strategy to attract the attention of the world. The display of the bloody theme of violence is the most extreme and controversial phenomenon in contemporary Chinese art. Obviously, this kind of extremism in contemporary art, as an art form of expression, does have some doubts about being “detached from the reality of life in the revelry of its own way of playing games.” However, as a subculture, it does not look like some