敦煌舞教学已发展三十余年,在多年的实践中不断充实不断完善,至今日已形成一套较为成熟的训练体系;在敦煌壁画中除了女性形象的舞乐伎之外,还有早期壁画及塑像中一些男性形象的存在,这是我们不可忽略的;因此,在研习敦煌舞的阶段中,笔者运用从自身实践中总结出的想法和经验,在女子敦煌舞训练的参考基础上,从多方面分析、尝试整理男子敦煌舞训练,因为只有男子教学训练和女子教学训练的同步发展,敦煌舞教学体系才能越来越完整,并越来越全面。 Dunhuang dance teaching has been developed for more than 30 years, constantly enrich and improve in many years of practice, and today has formed a relatively mature training system; in Dunhuang murals in addition to the female figure of dance music, there are early murals Therefore, in the stage of studying Dunhuang dance, the author used the ideas and experiences summarized from his own practice, based on the reference of the training of women in Dunhuang dance, Many aspects of analysis, try to groom men Dunhuang training, because only men’s teaching training and the simultaneous development of women’s teaching, Dunhuang dance teaching system to become more complete and more and more comprehensive.