关于艺术创新,在当代来说是一个并不新鲜的话题,但似乎这个问题仍有谈论的必要。讨论创新,现在很多仍纠缠于形式、技法和材料的漩涡,结果使讨论往往失去了最终的意义。如果我们暂时抛开这些,想想艺术本身,看看作品,或许会被些似乎还没有创新的艺术而感动。我觉得,到这个时候,再回头讨论创新也不迟。曾经作为马克西莫夫油画训练班学员的何孔德,没有太大翻新,但他的艺术却依旧让人们乐于接受。张海良的山水画,其样式、笔墨可能显得平淡无奇,但正是这种平淡无奇,或许提醒我们,艺术更多仍要以平常心态来看待。 There is nothing new about contemporary art, but it seems that there is still a need to talk about it. Discussion of innovation, many of which are still entangled in the whirlpool of forms, techniques and materials, the result is often lost discussion of the ultimate significance. If we put aside these for the time being, thinking about art itself and looking at it may be touched by art that seems to have not yet been innovated. I think it is not too late to talk about innovation until this point. He Comte, who had been a trainee at Maximov Oil Painting Training Class, did not change much, but his art still makes people happy to accept it. Zhang Hailiang’s landscape painting, its style, pen and ink may seem insignificant, but it is this blandness, perhaps reminds us that the art should still be more usual attitude.