前些时,我们版画界办了个版画展,也照例开了学术研讨会,会上有位搞理论的朋友重点谈了“版画如何走向市场”的问题,这个问题似乎也可算时下“版画的当代状态”之一吧,现在每次版画展后的座谈会,几乎都说这个事。说实在的,我是不主张把这个事当成版画创作研究中的大事来说的。有次会上, Some time ago, we had a printmaking exhibition in the printmaking industry, and we also opened academic seminars as usual. At the meeting, a friend who was engaged in theory focused on the issue of how printmaking went to the market. This issue seems to be a matter of “printmaking Contemporary state ”one, now after each print exhibition forum, almost all say it. To be honest, I do not mean to regard this matter as a major event in the study of printmaking. At the meeting,