川剧艺术事业,是一项历史悠久的、为广大群众喜闻乐见的社会文化事业。历史上的官家戏班、私家戏班、随军戏班以及民间艺人组织的各种戏班(灯班、皮影班、木偶班等),都是由社会上各方面的力量来兴办的。但建国以后,我们把民间职业戏班全部接管过来,改为专业艺术表演团体,即省、市、地、县级专业剧团。其性质无论是全民所有制还是集体所有制,实际上都是由画家养起来,由文化部门统一领导,作为宣传工具使用,演职员按行政干部管理,实行固定工资制。这样搞的结果,专业剧团都成了铁饭碗、大锅饭,没有竞争,没有活力,束缚了艺术生产力,从而造成舞台表演后继乏人,台下观众越来越少的困局,使川剧艺术事业出现了严重危机。80年代以来,通过振兴川剧,取得了一定的成绩,但就全局而 Sichuan Opera art career, is a long history, loved by the masses of social and cultural undertakings. All kinds of troupes (light classes, shadow puppets, puppet classes, etc.) organized by the government in ancient times, private drama classes, military troupes and folk artists are set up by all sectors of society. However, after the founding of the People’s Republic, we took over all the non-governmental professional troupes and changed them to professional performing arts groups, that is, provincial, municipal, and county-level professional troupes. The nature of ownership by the whole people or collective ownership is actually maintained by painters, unified leadership by the cultural sector, as a propaganda tool to use, staff members administered by administrative cadres, the implementation of a fixed salary system. As a result of this practice, the professional troupes have become iron rice bowl, big pot, no competition, no vitality, bound the artistic productivity, resulting in lackluster stage performance, audience less and less audience difficulties, the cause of the Sichuan opera art A serious crisis. Since the 1980s, by rejuvenating Sichuan Opera, some achievements have been made, but on the whole