论文部分内容阅读
安徽是中国书法精神的凝聚之地,作为文房四宝之乡,浓郁的书法文化气息培育了无数杰出的书法俊才。书法史上的邓石如和梁(?)的出现为当代安徽书法的理论和创作两翼齐飞埋下了伏笔,而当今安徽书坛以其“创新、探索、发展”的不可阻挡的进取之势,给全国书法界留下了深刻的印象。吴雪就是其中的领军人物和书坛中坚。吴雪的书法以雄强宽博的体势见长,在结构上是以颜体书法的正面宽阔的特点来布局,同时糅合苏东坡书法体势绵密的特性,给人以安详、端庄感觉的同时又不乏宽可走马、密不容针的美学特征。正面取势的长处在于端稳,而要做到这一点必须以坚实的笔画功力
Anhui is the cohesive place of the Chinese calligraphy spirit. As the hometown of four treasures of literature and art, rich calligraphy and cultural atmosphere have cultivated countless outstanding calligraphers. The emergence of Deng Shiru and Liang (?) In the history of calligraphy laid a foundation for the contemporary theory and creation of calligraphy in Anhui Province. However, in today’s Anhui calligraphy industry, with its “innovation, exploration and development” , To the national calligraphy left a deep impression. Wu Xue is one of the leaders and the backbone of the book. Wu Xue ’s calligraphy is based on the strength and breadth of his style. It is structurally based on the positive and spacious features of the style of calligraphic calligraphy. At the same time, Wu Xue’ Wide can take the horse, close to pin aesthetic characteristics. The strength of a positive move is stability, and to do that you must work with solid strokes