塞缪尔.理查逊在《克拉丽莎》中对贵族拉夫雷斯的塑造引起诸多争议。将这个人物结合作者的创作意图以及十八世纪英国社会历史文化背景来分析可以看出,理查逊利用人物刻画、情节安排、叙事模式等手段将拉夫雷斯变成对复辟时期浪荡贵族的批判,拉夫雷斯之死不是剧情的合理安排,而是理查逊道德说教的一种需要。 Samuel Richardson in the “Clarissa” aristocratic Lavres caused controversy. According to the author’s intention of creation and the social and historical background of England in the eighteenth century, Richard Richardson transformed Laveres into a critique of the aristocrats in the restoration period through the means of characterization, plot arrangement and narrative mode The death of Lavres is not a reasonable arrangement of plot, but a need of Richardson moral preaching.