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歌唱的声音是由声带震动产生,并且人的腔体在演唱时起到扩音器的作用,这只是说的发声,歌唱就要有歌词,歌词是语言的歌词,在歌唱中如何在发声腔体内控制语言字韵的铿锵以及舌部有力的谈吐等等一切歌唱活动,都需要在大脑的支配下,以及比较科学的演唱方法下完成的。所以歌唱心里活动在歌唱中的地位是毋庸置疑的。有歌唱就会有演唱心理活动,这两个方面是不可分割的,歌唱和心理因素之间的关系是相互促进相互影响的,具体体现在:在良好的心理条件下能够发挥出良好的演唱水平,同时演唱水品发挥会使演唱者获得愉悦的心情。因此演唱者对任何作品的演唱和处理乃至对作品的二度创作都需要以心理因素作为基础。
The voice of singing is produced by the vibration of the vocal cords, and the cavity of the human body plays the role of a loudspeaker when singing. This is merely to say that there is a lyric in the singing. The lyrics are the words of the language. All the singing activities in vivo such as the sonorousness of the rhyme of the language in the body and the energetic conversation of the tongue all need to be done under the control of the brain and the scientific singing method. So singing my heart’s activities in the singing position is beyond doubt. Singing there will be a singing psychological activities, these two aspects are indivisible, the relationship between singing and psychological factors are mutually reinforcing interaction, embodied in: under good psychological conditions to play a good level of singing , While singing water to play will give the singer a pleasant mood. So the singer’s singing and handling of any work and even the second creation of the work need to be based on psychological factors.