我有个习惯,无论是看电影还是看戏,归家后总要再细细想想,或好或孬,都会有所收获。这有时就很象“意识流”的闪回画面一样,在脑际稍纵即逝……前不久看西德影片《汤姆叔叔的小屋》,其中有一个名叫伊丽扎的女奴抱着孩子,从冰河中逃去的场面,拍得真令人捏汗:岸上枪声频频,伊丽扎在晃动着的冰块上步履艰难地奔命,我在想,这就是电影视觉艺术的动人魅力。如若改成叙述手法:“啊呀,那是真危险啦……”不但不能传其神采,而且还会使人不相信,这怎么可能呢?所以美国导演希区柯克曾说电影的特点是“追捕”。这就是强调动作的丰富表现力。无独有偶,最近又看了国产片《忘忧草》,其中也有个追捕的场面,即我地下党联络员华姑,被敌人追赶至悬崖绝壁处,毅然跳下深崖,壮烈……且慢,华姑并没有死,后来吴营长率部经过这儿,将 I have a habit, whether it is watching movies or watching movies, go home and then always think about it carefully, or good or bad, will be harvested. This is sometimes like the “stream of consciousness” flashback picture, in the brain fleeting ...... Not long ago to see the West German film “Uncle Tom’s Cabin”, including a slave girl named Eliza holding a child, Escape from the glacier scene, making it really Khan sweat: gunfire on the shore frequently, Eliza struggling on the rocking ice hard run, I think, this is the moving charm of the film visual arts. If you change the narrative tactics: “Oh, it is really dangerous ... ...” Not only can not pass on his demeanor, but also people do not believe how is this possible? So Hitchcock, the director of the United States once said the film is characterized by “ Chase ”. This is the rich expression of emphasis on action. Coincidentally, recently read the domestic film “forgetting you grass”, which also has a hunt scene, that I underground Liaison Fake, was chased by the enemy to the cliffs, resolutely jumped the cliff, heroic ...... and slow, China Gu did not die, and later Wu Yingchang led his unit here, will