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在父权制社会中,童话作为男性话语的载体,往往传达着男性对女性的审美期待和价值准则,对女性产生了潜移默化的影响。为了突破男性话语的禁锢,奥斯丁将其小说装裹在童话的外衣下,以独特的女性视角和间接的女性叙事手法对各种童话母题,如灰姑娘模式、二元对立模式、丑小鸭的成长故事、大团圆结局等进行巧妙的修正和颠覆,形成了独具特色的童话模式,并借以表达她对女性主体身份的思考和重建女性主体性的积极探索。
In the patriarchal society, as a carrier of male discourse, fairy tales often convey the male aesthetic expectations and values of women, which have a subtle influence on women. In order to break through the imprisonment of male discourse, Austin wrapped his novels under the coat of fairy tales and used unique female perspectives and indirect female narrative techniques to study various fairy tales, such as the Cinderella model, the dualistic mode, the ugly duckling The story of happy growth, the happy ending and other subtle revisions and subversions, forming a unique fairy tale model and expressing her thoughts on the identity of the female subject and the active exploration of the reconstruction of the female subjectivity.