《戏剧文学》编辑部:我是一名话剧战线的老兵,针对话剧的现状,提点个人不成熟的意见和建议,尽一份老话剧人的微薄之力。回眸话剧自“五四”运动后蓬勃兴起的历程,不难看出曾经给人民带来的欢欣和力量。新中国成立后,话剧在戏剧界里又以“长子”、“排头兵”的地位,引领其他舞台艺术发挥了服务时代、服务人民的作用。比如,在上世纪五十年代末,长春市曾有京、评、话、杂、曲、民间艺术、河北梆子 Editorial Department of Drama Literature: I am a veteran of the drama front, aiming at the status quo of the drama, I put forward some personal opinions and suggestions that are not mature enough to serve as the modest power of the old drama people. Looking back at the vigorous rise of drama since the May 4th Movement, it is not hard to see the delight and strength once brought to the people. After the founding of new China, drama in the theater again with “eldest son ”, “vanguard ” status, to lead other stage art played a service era, serve the people. For example, in the late fifties of last century, Changchun City had Beijing, Ping, Hua, miscellaneous, music, folk art, Hebei Bangzi