《城南旧事》得奖了,中国的电影冲出了亚洲,在马尼拉电影节的天平上,掂出了相当的份量。其原因在哪里?难道是巴赞、克拉考尔自然主义的“生活流”的胜利?不!我认为:这胜利主要在于现实主义的典型环境、典型人物;在于深扎于中国古典文学诗情画意的沃土,而又选择了西方现代文艺常取的“用孩子的眼睛看世界”的角度;在于饱含台湾女作家的乡情, “South of the City,” won the award, the Chinese movie out of Asia, Manila Film Festival balance, out of considerable weight. Is the reason why it is the victory of the “life flow” of the naturalism of Bazin and Klakala? No, I think this victory mainly lies in the typical environment of realism and the typical figure. In the poetic sentiment of the Chinese classical literature Fertile soil, but chose the western modern literature and art often take the “use the child’s eyes to see the world” point of view; is full of Taiwanese woman writer’s nostalgia,